Last Night's Film

Why I am telling the story of The Lives Of Others is to show people how they could behave given such a situation. And these situations will arise again. You don't have to have an absolute dictatorial system. It can be within the confines of a school, or a hierarchical business organization, or whatever, that we will have the chance to display a similar kind of heroism—to put it simply—as [Wiesler] is displaying. It makes it too easy for people in criminal organizations like the Stasi or the Gestapo if you say that—once you're a member of that group—that's it, you've lost your humanity, you're morally dead, it's over, there's no possibility for you to redeem yourself. You can always change your ways. It's much harder when you're in an organization like [the Stasi], which is why a character like [Wiesler] deserves so much admiration. Which is also why I was pretty angry when people accused Steven Spielberg [of humanizing Nazis]. They said, "Look at all these millions of Germans who behaved like monsters and you choose the one good German, Schindler, to make the film about." But I think that is still the right approach because it is exactly these people that we should be looking at and saying, "This is how you could behave and don't you be forgetting that."

-Florian Henckel von Donnersmark, director, interview with Michael Guillén re: The Lives of Others